Yuri Klapoukh's Magic Paintings
"Sheperdess", painting by Yuri KlapoukhAn ever-changing curio cabinet of Amy Crehore's art news, photos of events, hokum images and the double entendre.
"Sheperdess", painting by Yuri Klapoukh
"Wild Cat Fever", oil painting, 2007 by Amy Crehore for Venus Show
"Homage to the King of Cats", oil painting, 2001 by Amy Crehore (Monovita Magazine)
"Bubble Gum Encore" 2005 "Little Pierrot" series by Amy Crehore
" The Two-Timer" 2006 "Monkey Love" series by Amy Crehore
I blogged about playing cards designed by Tom Crehore (1802) and I blogged about a piano built by Ben Crehore (1800). Both were thought to be the earliest known in America. I am now blogging about my great grandfather's skyscraper in NYC which is still standing at 150 Nassau Street. The building is thought to be one of the earliest skyscrapers ever built in this country. You can see it towering over the other buildings in this picture. It's called The American Tract Society Building and William W. Crehore was the chief engineer on the project and Robert H. Robertson was the architect in 1894. Read about it here:
Steel engraving by Flemeng after the painting by Ingres. Pre1900prints
Andromeda exposed to the sea-monster (1869) Paul Gustave Dore
Louise Brooks, looking positively come-hither



Here are some silly clowns, pierrots or what-have-you. I don't like all clowns, mind you. Just the ones with intriguing costumes like the European ones or the early P.T. Barnum clowns. The later American clowns with big red noses and crazy orange wigs that scare kids at birthday parties are not my ideal. 
Vintage matchbook art is cool and Mike Snyder wants to take you on a little trip: Matchbook Road Trip
Notre Dame Cathedral, Paris
" Temptation" by Hugo van der Goes 1470 Vienna
"Temptation of Adam and Eve"by Masolino 1425, fresco in FlorenceI actually painted my first "little pierrot" back in 1990, a year or two after my trip to Italy. The inspiration for the painting, "Icon", was Giotto's Madonna and Child (year 1320). My madonna is holding a little version of my "Tree of Life" painting and a baby pierrot adapted from one of my earlier works called, "Banquet Days". There are definitely recurring motifs in my art over the years. Sometimes it's unconscious. I painted a monkey, a snake, palm trees, and Titian's odalisque in these earlier works. I also painted nuns. These 3 paintings were exhibited at the Portland Art Museum in the early 90's.
Richard Konter with his famous 1K Martin ukulele.
Construction: “Tilly Losch,” circa 1935, by Joseph Cornell, artist, 10 x 9¤ x 2⁄ inches
Giotto's Bell Tower in Florence, Italy (Piazza del Duomo)

I have derived a lot of inspiration from Giotto (1267-1337) over the years. My trip to Florence in the late 80's was a high point of my life as an artist. The gothic-style of the Piazza del Duomo with Giotto's beautifully constructed Bell Tower is my ideal as far as architectural design goes. And Giotto as a painter is unequaled in my estimation. His narrative frescos in Assisi (above) show his architectural leanings, his unlimited creative imagination, a gift for depicting emotion in his figures, a strong sense of color and design. He created some very surreal masterworks. A true innovator. I will never tire of looking at Giotto's art. 

Here are three more wacky images from the amazing Cornell University Library that I blogged about earlier. These are from: Roland Brévannes' "L’Orgie Satanique à Travers les Siècles", Paris 1904, Publisher- Offenstadt.



Pan Yuliang's life (1895-1977) was an interesting story that was made into a movie in 1994 starring Gong Li. The movie is called "A Soul Haunted by Painting"(or "Hua Hun"). I will have to rent it soon! Apparently her parents died when she was young and she was sold to a brothel at 14. But, at age 21, a customs official rescued her and sent her to art school in Shanghai. From there, she went to France to study and also studied in Rome. She returned to China from 1929-1937, but after that lived in France for the rest of her life. She won countless awards, lived a full life and loved to paint nude women. Her paintings were considered "depraved" in China by conservatives from 1930-40.
"Backstage"copyright Amy Crehore, Little Pierrot Series Prints
"The Nibbler" copyright Amy Crehore, Monkey Love Series Prints
Thomas Nast Cartoon 1876
Sir John Tenniel (1820-1914) was a political cartoonist for "Punch", a book illustrator and a watercolorist. 'His forty-two illustrations (1865) for "Alice's Adventures in Wonderland" had involved Tenniel in much acrimonious debate with Carroll, who insisted that the first edition be withdrawn because he was displeased with the reproductive quality of the prints. Reluctantly, Tenniel agreed to work on Carroll's "Through the Looking-Glass" (1872), his last book illustration. He was knighted by Queen Victoria in 1893, and continued his life-long association with "Punch" until 1901.' See and read more here:
Jack Hall made playable musical instruments out of used wooden matches. Check out the photos and read about this incredible one-of-a-kind folk artist who made a guitar, uke, fiddle, banjo, etc:
J.A.S. Collin de Plancy. Dictionnaire Infernal. Paris : E. Plon, 1863
J.A.S. Collin de Plancy. Dictionnaire Infernal. Paris : E. Plon, 1863
Lucifer, Roland Brévannes 1904
"The Tickler" - Monkey Love painting by Amy Crehore
Edward Gorey, a prolific and wonderful artist/illustrator, died in the year 2000 and this is an excerpt from his obituary: "Gorey's fascination with surrealism came to the fore in The Object-Lesson (1958), whose story tumbles through artful non-sequiturs while the artwork shows increased mastery of balance and design. This led to Edmund Wilson's 1959 New Yorker appreciation of the early books - Gorey's first major critical notice. Later the Doubtful Guest was developed into a more disturbing, eyeless being with long rubbery arms, known as Figbash and partly echoing Max Ernst's protean figure Loplop. Other recurring Gorey icons are cats and the armless, featureless Black Doll; other acknowledged influences include Chinese, Japanese and Symbolist art." read more here: Guardian Obituary April 20,2000
Let me introduce you to the most amazing and wacky website of an artist that happens to live in Oregon. Here's a description from her myspace page:
Square piano about 1800 by Benjamin Crehore, American, 1765–1831 Milton, Massachusetts Museum of Fine Arts Boston
" Dangerous Curves- The Art of the Guitar" book by Darcy Kuronen
" Portrait of a Negress" 1800 by Marie-Guillemine Benoist, Louvre
"The Cat's Passenger" 1992 oil painting by Amy Crehore

Edward Lear (1812-1888) is hard to beat for humor and pure imagination. I like him almost as much as Heinrich Hoffmann, the creator of the "Slovenly Peter" book (which came out in 1845). In 1846, the first edition of Lear's "A Book of Nonsense" (pictures and funny limericks) was published under the name of Derry Down Derry. That same year, Lear gave 10 drawing lessons to Queen Victoria. He travelled all over the world in his lifetime and he sketched and painted as he went along. What I am showing here is just the tip of the iceberg of Edward Lear's works. He also painted in a very naturalistic style, mostly landscapes and birds.
Light Bulb Painting by Steve Lodefink at Finkbuilt
Poster from Gertie the Dinosaur 1914
Page from "Little Nemo in Slumberland" by Windsor McCay
I have always loved the comic strip "Little Nemo in Slumberland" by Windsor McCay. He created the strip from 1905-1911 for the New York Herald. His superb sense of design and his subtle, mischievous humor never goes out of date. It's classic! Just look at the beauty of this full page example (above). It is surreal and abstract at the same time- making use of geometry, forms and color while telling a fantastic story. I think I've seen some of those drippy backgrounds in some art being done today (green dreamy drips above). His bio says he never completed grade school, but he certainly completed a lot of great art.