ameta 1903

ameta
Originally uploaded by undream

A silent film posted on flickr by undream

Paintings of Gottfried Helnwein

His paintings are very intense and unforgettable. Like war itself.

Here are two from 2005. More here:

Helnwein

Audrey Kawasaki Does it Again

"Stare"by Kawasaki

"Uria" by Kawasaki

It's really nice to see someone's art develop in front of your eyes, only to get more mature and fluid as she goes. I think these are my favorite Kawasaki paintings and drawings to date. She is following a great tradition of Japanese masters of the fine line. The design quality of these new pieces is really nice: abstract, simplified, mysterious, making use of snowy drips and calligraphy only to enhance the whole. Her paint drips add texture and atmosphere, they are not frivolous. These are exciting times for Audrey K. who is in Rome, Italy as we speak getting ready for her show at Mondo Bizarro. (via boingboing) LINK to more images

The Art of Amy Crehore

100 Year Old Uke Man, Bill Tapia

Here is Bill Tapia in 1939 testing out a pineapple uke. He loooks pretty spiffy in his 30's attire."Young Willy, age 10, gave ukulele lessons to grown men. Willy was the first in the Hawaiian islands, or, for that matter, anywhere, to produce divine jazz from, yes, a ukulele.
He became Bill Tapia, the accomplished jazz guitarist, who jammed with such all-time greats as Louis Armstrong, Bing Crosby, Billy Holiday, Fats Waller and Charlie Barnett. Now he's 100 years old, still elegant, in his tuxedo and shimmering silver hair and beard"...read the rest of the story at the

OC Register and be sure to check out the amazing slide show of Bill performing in Honolulu. (Thanks, Ukulele Hero )

The Art of Amy Crehore

Photo of the Day

"Sheiks of Canal Street"

Photo Copyright Raleigh Powell, taken in Richmond, VA 1966

The Art of Amy Crehore

Wandering Mind and Memory

Art by SETH

The Walrus Magazine has a great interview with Seth by Sean Rogers on their comics blog, Four Color Words I can really identify with his ideas about the importance of memory in relation to his art. I have been working this way, too. I don't really draw directly from life or reference materials anymore; I draw using memories of how things I have already seen and experienced felt, thus coming up with my own pictorial symbols. He also talks about nostalgia as it applies to his process. This is only part one of the interview, so stay tuned for part two! Also, in the Sept. issue of The Walrus, there is an an essay by Seth called: "The Quiet Art of Cartooning". He talks about his wandering mind while he sits alone drawing in his basement studio everyday. I can so relate to all of this. Thanks, Seth for putting it into words.

(via Drawn! and boingboing)

Here's a bio of Seth from "Drawn and Quarterly" where you can get Seth's books.

The Beauty of Sadness

Takato Yamamoto's art is beautifully sad and elegant...and disturbing.

Lines as fine as they can be. A masterful draftsman. You can find more images here:

Olga-galo

The Art of Amy Crehore