Wednesday, April 18, 2012

Saber's Pick #4 (Amy Crehore)

This is so cool! Wonderful artist Saber held a contest on twitter to pick an artist to be featured in Juxtapoz print magazine and I came in at number 4. I am really honored. This is what he wrote about my art: "(Amy Crehore) Is a savage painter. She sneaks by you casting a line and hook that then reels you into her innocent sexual playfulness all the while leaving you stranded as a tickled voyeur creeping in on this dreamlike island utopia where anything goes…I wouldn’t mine being stranded for a bit. Great detailed technical paintings."
 Made my day.
Go to: Saber's Blog
where you can see the winner and list of finalists.
Check out Saber's Art and follow him on twitter.
You can follow me on twitter as well.

Wednesday, April 11, 2012

Punch Digs Bathing Caps (1950)

Paul Gravett interviews R. Crumb

There's a great new interview with R. Crumb by Paul Gravett. Here's the LINK
Crumb will be the focus of an exhibit at the Museum of Modern Art in Paris, France opening April 13, 2012.

Sketchbooks of Degas

You can view many of the sketchbooks of Degas on this link (National Library of France): Gallica bnf.

Saturday, April 07, 2012

Details of Progress (Amy Crehore)

I took these quick detail shots of the new painting with my ipod.
I'm having fun brushing it in very freely at first.
I will have to set this aside for a few days, but I'll get back to it after I finish my taxes.
ArtofAmyCrehore
See my previous posts about this painting: HERE , HERE , HERE

Friday, April 06, 2012

Process of Painting (Amy Crehore)

Yesterday, I quickly brushed in some color and blocked in some forms on the new painting. I am thinking how cool it looks right now with the large figure not even filled in yet. I'm being careful to leave some of the reddish undercoat showing through my layers of brushwork. The contrast of different colors is exciting. The process of painting itself reveals what direction to take, as if I am being guided along by an invisible force. No real decisions are made ahead of time, except in the preliminary sketch where I worked out a composition. Even that may change as I go along, but at least I have a starting place, a skeleton. My pencil sketch evolved out of the process of erasing and re-drawing and feeling it out.
I use "memories of what life feels like" when I do my art. That is one of my main tools. I take a walk and look at the sky. I feel the sun and smell the flowers. I gaze at the trees.
It feels the same as it did when I was a kid.
I get to exist right in the moment when I paint or draw. Everything else falls away. It is such a joy to escape into art, to focus on the process. Painting itself can be quite a struggle and it's outcome unknown.
It is about continual change, sort of like life itself or the weather. Gotta have faith and confidence that it'll all work out in the end, no matter how long it takes. 
I just do my thing and work it out.
Here are links to my earlier posts about this painting: LINK  & LINK